{"id":14384,"date":"2024-10-28T16:59:55","date_gmt":"2024-10-28T15:59:55","guid":{"rendered":"https:\/\/michelcremerfoundation.eu\/?p=14384"},"modified":"2024-10-28T17:45:13","modified_gmt":"2024-10-28T16:45:13","slug":"2024-10-20-souvenirs-de-la-visite-du-musee-du-verre","status":"publish","type":"post","link":"https:\/\/michelcremerfoundation.eu\/index.php\/2024\/10\/28\/2024-10-20-souvenirs-de-la-visite-du-musee-du-verre\/","title":{"rendered":"2024-10-20-Souvenirs de la Visite du Mus\u00e9e du Verre"},"content":{"rendered":"\t\t
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Quelques souvenirs de l'expo \"en verre et contre-tout\" du 20 octobre 2024 au mus\u00e9e du verre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Nous avons eu l\u2019occasion de (re)d\u00e9couvrir les collections du mus\u00e9e du verre.\u00a0\u00a0<\/p>

Ces collections comptent aujourd\u2019hui plus de 6000 oeuvres, objets et outils et couvrent une tr\u00e8s large p\u00e9riode qui remonte \u00e0 l\u2019\u00e9poque myc\u00e9nienne jusqu\u2019\u00e0 aujourd\u2019hui.<\/p>

Si les cr\u00e9ations du XIXe et du d\u00e9but du XXe si\u00e8cle constituent les fleurons de la collection, d\u2019autres pi\u00e8ces remarquables retiennent \u00e9galement l\u2019attention, notamment les perles myc\u00e9niennes (de -1400 \u00e0 -1200) ou les objets gallo-romains.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tous les grands mouvements sont repr\u00e9sent\u00e9s dans la collection, au niveau international comme au niveau belge, et offrent une vision compl\u00e8te du verre au niveau artistique, historique et technique. Le XVIe si\u00e8cle v\u00e9nitien c\u00f4toie la Boh\u00eame du XVIIe.\u00a0<\/p>

L\u2019Angleterre de la fin du si\u00e8cle des Lumi\u00e8res s\u2019illustre par la mise au point de la formule du cristal, tandis que la Hollande des XVIIe et XVIIIe d\u00e9veloppe la gravure \u00e0 la pointe de diamant.<\/p>

Le XIXe si\u00e8cle s\u2019attache \u00e0 l\u2019imitation des Anciens et, comme dans d\u2019autres formes d\u2019art, nous laisse des productions n\u00e9ogothiques, n\u00e9oclassiques, orientalistes, \u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Par la suite, le souffle novateur du XIXe et XXe apprivoise le parfum floral de l\u2019Art nouveau, bouscul\u00e9 par la g\u00e9om\u00e9trie de l\u2019Art d\u00e9co.<\/span><\/p>

On note alors la pr\u00e9sence de pi\u00e8ces provenant de manufactures prestigieuses : le Val Saint-Lambert, Von\u00eache, Daum, Gall\u00e9, Lalique, \u2026\u00a0<\/p>

Le r\u00e8gne des designers et des artistes au service des entreprises marque la fin des ann\u00e9es 30.<\/p>

\u00a0Le verre devient m\u00e9dium artistique \u00e0 part enti\u00e8re, au m\u00eame titre que le bronze ou le marbre des sculpteurs.\u00a0<\/p>

Des artistes contemporains, internationalement connus, tels Erwin Eisch, Ian Zoritchak, Mattei Negreanu, Louis Leloup en t\u00e9moignent dans la collection.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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QUELQUES SOUVENIRS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2764\ufe0f<\/span>Votre aide est pr\u00e9cieuse.\u00a0\u00a0<\/span>\u2764\ufe0f<\/span><\/p>

En effectuant un geste financier, vous pouvez vraiment contribuer au d\u00e9veloppement de nouveaux dispositifs m\u00e9dicaux<\/span> au service de toutes et tous.\u00a0<\/span><\/p>

Tout don est d\u00e9ductible fiscalement d\u00e8s\u00a0<\/span>40 \u20ac\/an (ou 5 \u20ac\/mois) en indiquant \u201cDON\u201d en communication du virement sur le compte de la Fondation<\/span><\/span><\/h6>
BE 35 0689 4098 62377<\/span><\/span><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSoutenez nos actions et faites un don<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Merci de relayer l’information via vos canaux et via les r\u00e9seaux sociaux<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tLinkedin<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tTwitter<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tYoutube<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Quelques souvenirs de l’expo \u00ab\u00a0en verre et contre-tout\u00a0\u00bb du 20 octobre 2024 au mus\u00e9e du verre Nous avons eu l\u2019occasion de (re)d\u00e9couvrir les collections du mus\u00e9e du verre. Ces collections comptent aujourd\u2019hui plus de 6000 oeuvres, objets et outils et couvrent une tr\u00e8s large p\u00e9riode qui remonte \u00e0 l\u2019\u00e9poque myc\u00e9nienne jusqu\u2019\u00e0 aujourd\u2019hui. Si les cr\u00e9ations du XIXe et du d\u00e9but du XXe si\u00e8cle constituent les fleurons de la collection, d\u2019autres pi\u00e8ces remarquables retiennent \u00e9galement l\u2019attention, notamment les perles myc\u00e9niennes (de -1400 \u00e0 -1200) ou les objets gallo-romains. Tous les grands mouvements sont repr\u00e9sent\u00e9s dans la collection, au niveau international comme au niveau belge, et offrent une vision compl\u00e8te du verre au niveau artistique, historique et technique. Le XVIe si\u00e8cle v\u00e9nitien c\u00f4toie la Boh\u00eame du XVIIe. L\u2019Angleterre de la fin du si\u00e8cle des Lumi\u00e8res s\u2019illustre par la mise au point de la formule du cristal, tandis que la Hollande des XVIIe et XVIIIe d\u00e9veloppe la gravure \u00e0 la pointe de diamant. Le XIXe si\u00e8cle s\u2019attache \u00e0 l\u2019imitation des Anciens et, comme dans d\u2019autres formes d\u2019art, nous laisse des productions n\u00e9ogothiques, n\u00e9oclassiques, orientalistes, \u2026 Par la suite, le souffle novateur du XIXe et XXe apprivoise le parfum floral de l\u2019Art nouveau, bouscul\u00e9 par la g\u00e9om\u00e9trie de l\u2019Art d\u00e9co. On note alors la pr\u00e9sence de pi\u00e8ces provenant de manufactures prestigieuses : le Val […]<\/p>\n","protected":false},"author":2,"featured_media":14385,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,48,368,50,52],"tags":[],"class_list":["post-14384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-nouvelles-de-la-fondation-michel-cremer-fr","category-nouvelles-des-chercheurs","category-nouvelles-des-ingenieurs-fr","category-nouvelles-des-medecins-fr"],"yoast_head":"\n2024-10-20-Souvenirs de la Visite du Mus\u00e9e du Verre - Fondation Michel Cremer<\/title>\n<meta name=\"description\" content=\"Quelques souvenirs de la visite guid\u00e9e \u00ab En verre et contre-tout \u00bb avec notamment des cr\u00e9ations de 10 couples, dont le duo Libensky\/Brychtova\" 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